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This website won't Remember your login details. It is a software program that enables you to organize your tracks into groups and group them more easily. Everything that a DJ can mix music for is included. You can use filters to find your favorite songs, compatible bpms, keys or previous playlists. Direct Download Link. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Notify me of follow-up comments by email. Notify me of new posts by email.
This site uses Akismet to reduce spam. Users find Phalanx to be a powerful and versatile sampler that never gets too complicated to use. The comprehensive modulation matrix and intuitive workflow make it easy to get great results quickly. The sound design features also allow for a good degree of creativity with drums and other sample content. Phalanx is an excellent drum sampler that can be used as a pretty capable sound effects generator as well.
Even if you already have a dedicated drum sampler, the sound shaping capabilities of Phalanx make it worth looking into as a source of weird and musically useful sounds. Serato Sample come from a company that is known primarily for its celebrated DJ software products.
With the release of Sample, the company dips a toe into the sampler plug-in arena, with a product that may be just as innovative and forward-looking as its DJ-oriented offerings. Sample is a surprisingly powerful plug-in that delivers a host of sample management and editing features. It enables users to easily chop, transpose, and even find samples amidst immense libraries.
It also comes with a very capable time-stretch algorithm that longtime DAW users will immediately recognize. This particular feature makes Sample an excellent sample syncing tool, with samples of varying tempos syncing to each other effortlessly. You can set Sample to select up to 16 of the best samples in your audio material or designate segments at random. You can tweak samples even further via the built-in pads, or play samples chromatically via your keyboard.
The chopping and pitching capabilities are some of its biggest strengths, and many users especially like how the plug-in makes it easy to find samples. Generative parameters and morphing capabilities work in conjunction with the sample scanning feature and modulation to create some pretty complex patterns.
From delicate rhythms to full-on glitchery, Cataract makes it easy to get outlandish results in no time. Cataract provides two sample slots in each of its two sample scanners. There are also four percentage-based randomizers; five save states that you can trigger via MIDI; and a modulation matrix that can add a bit of movement to your samples or mangle them beyond recognition. Further tone shaping is possible via the 3-band EQ, and there is a multimode delay unit for echo repeats and grain delay effects.
Instead, the processed audio is recorded onto a separate track, where it can be sliced and diced or used as is. Between the scan section and the modulation sequencer, users were able to warp and twist audio to a surprising degree. Although most sounds produced tended to be fairly similar, they were almost always useful in a musical context. Cataract seems to work best at fairly conservative settings. Most of the sounds produced by the plug-in somehow seemed to lean toward the glitchy and rhythmic variety.
Glitchmachines Polygon is a sampler plug-in designed specifically for sound design. Also useful for more experimental styles of electronic music, it bears little similarity to most other sampler plug-ins on the market. Nevertheless, its intuitive interface and the unconventional approach it encourages make it a worthy addition to your sound-creation toolbox. The Polygon workflow centers on four sampler modules, each of which has a selection of different play and loop modes in addition to granular capabilities.
For adding a bit of motion to the proceedings, you can utilize the tone-shaping features that include eight LFOs, four variable-slope modulation envelopes, two multimode filters, and three effects processors.
The setup lets you create evolving and rhythmic sounds quickly and easily, with a very precise degree of control. Polygon also has a sub-oscillator that can be used to boost low-frequency content. Essentially adding a fifth voice to the four sampler modules, the sub-oscillator can be set to output a sine or square wave. Those expecting Polygon to be limited to standard playback duties were pleasantly surprised at its effectiveness as a synthesizer. The granular capabilities and deep modulation options make it a truly inspiring sonic playground, so much so that it has become a go-to tool for creative sound design.
Like most samplers, Polygon does rely heavily on the samples that you feed it. Even so, its wealth of modulation options make it possible to create some truly outlandish textures that bear little resemblance to the source material. Accusonus Regroover adds to the already-impressive capabilities of your DAW with a host of features that go well beyond standard sample chopping. By extracting individual loop elements in a truly innovative fashion, Regroover gives you more from your sample stash than you have ever gotten before.
Regroover lets you deconstruct and even un-mix loops to a surprisingly precise degree, instead of merely cutting them up in a time-based manner. Loops are splittable into layers, from which you can extract individual slices. You can then assemble these slices into a custom drum kit, or use them to spice up the original loop.
You can combine these elements into a drum kit that is uniquely your own, or create endless variations from even the most boring loops. After splitting your audio material into layers, you can treat them individually with volume and panning controls.
You can even add effects to each layer, which gives you plenty of creative mileage for reimagining and repurposing your loops. Regroover has proven to be a surprisingly capable and versatile plug-in that has numerous applications as a drum layering, sound replacement, and re-sequencing solution.
It is a flexible and inspiring tool that can even be used to clean up messy and splashy drum loops. As with many samplers, the results you get from Regroover depend on what you put in.
Nevertheless, it definitely inspires a new way of thinking about loops, and beat merchants of all persuasions should find many uses for it. Glitchmachines Palindrome seems to have been designed specifically for sound crafting of a more experimental nature. You also get extensive modulation options, which make it possible to create a variety of uniquely evolving sounds.
But this is actually a powerful and versatile system that can make some complex sounds from even the most vanilla samples. Add to that the generous selection of modulation sources, and you could get an impressive variety of morphing sounds and unusual timbres with very little effort.
Much of the action takes place via a virtual playhead that follows a user-defined path. Eight modulation envelopes with multiple breakpoints let you warp the path into complex shapes. Each of the four samplers has two effects processors for added sweetening, and there is also a global reverb.
There are tons of presets to get you started right out of the box, and a randomize feature for creative idea generation. Despite its ability to produce complex results, Palindrome is generally very easy to use.
Users find a goldmine of sonic possibilities once you get deep into the engine. But it is also possible to get usable sounds simply by tweaking a few of the default settings. There is plenty of depth and breadth to create complex textures, and you could easily lose yourself in hours of rewarding sonic exploration.
Reason Studios Recycle Sampler has been around for quite some time. For users of Reason, this add-on is a must-have to get the most out of your samples. Basically, you can import any loop into Recycle 2. Since ReCycle 2.
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